structure constitutes the foundation of the contemporary geometric language developed by DF-ABSTRACT.
\nit does not derive from a decorative principle, but from a rigorous organization of forms, tensions, and equilibria.<\/p>\n\n\n\n
within this project, structure precedes meaning and becomes the invisible architecture of each work.
\nit situates DF-ABSTRACT within the field of contemporary geometric abstract art, where form operates as a system rather than as representation.<\/p>\n\n\n\n
DF-ABSTRACT is part of the field of contemporary geometric abstract art.\nit is a corpus of abstract forms structured as a spatial language.
c\u2019est un corpus de formes abstraites structur\u00e9 comme un langage spatial.<\/p>\n\n\n\n
some evocatio originate from non-musical recordings: natural sounds, living rhythms, seasonal cycles..
\nthese initial explorations made it possible to understand how a perceptual signal could become form, without figurative reference and without narrative, within an autonomous contemporary geometric language.<\/p>\n\n\n\n
DF-ABSTRACT does not seek representation.\nIt isolates tensions, rhythms and equilibria, giving them autonomous geometric existence.<\/p>\n\n\n\n
Form does not illustrate an image.\nIt embodies a state.<\/p>\n\n\n\n
in DF-ABSTRACT, structure is not limited to a visual composition.
\nit constitutes a system articulated around a vectorial alphabet, formal families, and rules of transformation.<\/p>\n\n\n\n
each work is inscribed within this network of relations, forming a coherent corpus within contemporary geometric abstract art.
\nthe resulting contemporary geometric language is based on controlled variation, mastered tension, and dynamic equilibrium.<\/p>\n\n\n\n
form, in DF-ABSTRACT, does not refer to a recognizable image.
\nit becomes state, tension, dynamic equilibrium.<\/p>\n\n\n\n
his formal autonomy situates the project within a contemporary research where geometry operates as a language rather than as representation..
\nthus, an autonomous contemporary geometric language is progressively constructed, structured yet evolving.<\/p>\n\n\n\n
structure, in DF-ABSTRACT, is not a framework but an active principle.
\nit organizes tension, stabilizes rhythm, and grounds the unity of the contemporary geometric language developed by the artist.
\nthrough it, the corpus finds its coherence and continuity within contemporary geometric abstract art.<\/p>\n\n\n\n
<\/p>\n\n\n\n