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foundational Works<\/h2>\n\n\n\n
\n\n\n\n1. mar\u00e9e \u2013 study of natural rhythm and repetitive structure (2022)<\/h3>\n\n\n\n
structural approach and emergence of the language<\/strong><\/p>\n\n\n\n this work translates the observation of the cyclical movement of the tide at Mine d\u2019Or Beach in P\u00e9nestin.<\/p>\n\n\n\n the repetition of volumes evokes the relationship between time, space and trajectory.<\/p>\n\n\n\n this work marks the emergence of a research in contemporary geometric abstract art grounded in the observation of natural rhythm. the study of the tide does not belong to figurative representation, but to an abstract transcription of cycles, inscribed within a quasi-algorithmic logic.. chromatic tension and spatial saturation<\/strong><\/p>\n\n\n\n created during the extreme heat episode of Summer 2022, this work explores the progressive saturation of visual space.<\/p>\n\n\n\n it translates the sensation of thermal pressure and the alteration of temporal perception under climatic constraint.<\/p>\n\n\n\n with heatwave, DF-ABSTRACT deepens its research by exploring the progressive saturation of visual space. this phase consolidates the project\u2019s positioning within the field of contemporary french abstract art, by affirming a method of visual interpretation based on the controlled transformation of masses, contrasts, and equilibria.<\/p>\n\n\n\n the experimentation conducted here contributes to the development of a distinct geometric vocabulary, intended to evolve into a coherent system of editions and variations.<\/p>\n\n\n\n fundamental unity and structuring of the language<\/strong><\/p>\n\n\n\n at this stage, the cube becomes a foundational marker in the construction of the DF-ABSTRACT language. it embodies the intersection between temporality, individual trajectory, and the spatialization of experience.<\/p>\n\n\n\n this work constitutes a major conceptual step in the development of a structured algorithmic art, where each element operates as a component within a global system.<\/p>\n\n\n\n the controlled repetition of volumes anticipates the establishment of a vectorial alphabet, intended to organize future works according to rules of transformation, tension, and formal variation.<\/p>\n\n\n\n These initial experiments led to the progressive formalization of the DF-ABSTRACT language, structured around:<\/p>\n\n\n\n \u2022 a vector alphabet toward an autonomous visual language<\/strong><\/p>\n\n\n\n through these foundational experiments, DF-ABSTRACT progressively moves away from isolated studies to become an evolving visual language.. this process now leads to the production of original works and limited fine art editions, printed on art paper or aluminum dibond, positioning the project within the landscape of contemporary french art.<\/p>\n\n\n\n DF-ABSTRACT now asserts itself as an autonomous contemporary geometric language, grounded in the primacy of structure.<\/strong><\/p>\n\n\n\n each work proceeds from a rigorous system: vectorial alphabet, formal families, transformation rules, and controlled variations.. inscribed within the field of contemporary french abstract art, the project develops an algorithmic approach to visual composition, where rhythm, tension, fragmentation, and equilibrium become the operators of a global system.<\/p>\n\n\n\n the works are presented as originals and limited fine art editions, printed on art paper or aluminum dibond, ensuring durability, chromatic precision, and material coherence with the formal demands of the language.<\/p>\n\n\n\n DF-ABSTRACT is not defined as a sequence of images, but as an evolving construction: a structured ensemble in which each variation interacts with the entire corpus.<\/p>\n\n\n\n this genesis forms the foundation of an artistic project conceived to endure, evolve, and integrate into private collections or demanding contemporary spaces.<\/p>\n\n\n\n by developing a structured method for interpreting visual, musical, or historical sources, DF-ABSTRACT proposes a geometric reading of reality, transformed into a coherent plastic system.<\/p>\n\n\n\n this singular positioning places the project at the intersection of formal research, architectonic thinking, and contemporary abstraction.<\/p>\n\n\n\n
\nthrough volumetric repetition and spatial structuring, DF-ABSTRACT initiates here the construction of a visual language in which form becomes system.<\/p>\n\n\n\n
\nthis first formalization introduces the notions of structural unity, rhythmic variation, and organized transformation that will become central to the evolution of the project.<\/p>\n\n\n\n![\"\"](\"https:\/\/df-abstract.com\/wp-content\/uploads\/2026\/02\/maree-mine-dor-penestin-2022-1024x826.jpeg\")
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\n\n\n\n2. heatwave , summer 2022<\/h3>\n\n\n\n
\nthe work expresses a formal and chromatic densification that goes beyond climatic evocation to become a study of structural tension.<\/p>\n\n\n\n![\"\"](\"https:\/\/df-abstract.com\/wp-content\/uploads\/2026\/02\/dog-days-2-canicule-2022-667x1024.jpeg\")
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\n\n\n\n3. cube: time, space and trajectory<\/h3>\n\n\n\n
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\n\n\n\nTransition to DF-ABSTRACT<\/h2>\n\n\n\n
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\u2022 structural families
\u2022 transformation rules
\u2022 a method for interpreting visual, musical, historical or natural sources<\/p>\n\n\n\n
\neach work is no longer a singular creation, but a variation within a structured system, inscribed in the continuity of a research in geometry applied to emotion and memory.<\/p>\n\n\n\n
\n\n\n\nDF-ABSTRACT today: a structured geometric language<\/h2>\n\n\n\n
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\ncreation does not derive from spontaneous inspiration, but from an organized process in which structure precedes meaning.<\/p>\n\n\n\n