editions

fabrication

all DF-ABSTRACT works are printed in high-definition pigment printing, using museum-grade longevity inks and controlled calibration ensuring the accuracy of densities, chromatic tensions, and geometric axes.

no industrial production. each print is produced to order according to a strict protocol.

two materialities are offered: dedicated paper and aluminum dibond. the support is not a simple medium; it extends the internal structure of the work.

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dedicated paper

print on 100% cotton paper, such as Hahnemühle Photo Rag Ultra Smooth or Canson Infinity Photo Rag, matte surface and high grammage.

the paper absorbs light and reveals internal tension without unwanted reflection. it allows deep blacks, subtle tonal variations, and a sensitive material presence.

optional presentation in gallery framing with museum glass or anti-reflective glass, depending on format

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aluminium dibond

print mounted on aluminum dibond, with matte finish or brushed aluminum depending on the series.

the rigidity of the support affirms an architectural presence and a direct relationship between wall and surface. the support becomes an extension of the protocol, particularly suited to evocatio with strong geometric tension.

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limited editions

each work is issued in a limited quantity depending on format. it is numbered, signed, and accompanied by a certificate of authenticity. no re-edition outside the protocol.

presentation visuals illustrate the spatial presence of the work and do not constitute a contractual representation at exact scale.

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why choose a DF-ABSTRACT work

a DF-ABSTRACT work is not a decorative object.
it is a perceptual structure.

it acts as an axis, a point of tension, an organization of the gaze.

chaque evocatio traduit une source réelle en géométrie structurée.
l’œuvre ne représente pas, elle organise des forces (axes, densités, ruptures, respirations) selon une construction rigoureuse

the work seeks neither seduction nor consensus. it holds through its internal balance and the tension it sustains.

to choose it is to decide to introduce this structure into a space.